Special Section: Gulf Coast Oil DisasterStephen Baldwin suing Kevin Costner over BP dealKevin Costner pitches $895M oil spill plan Feldman asked the potential jurors whether the entertainers’ on-screen portrayals compromised the ability to deliver an objective verdict. No one in the pool said they would feel influenced. Among Baldwin’s roles was caveman Barney Rubble in “The Flintstones: Viva Rock Vegas.” Costner’s films include “Dancing with Wolves,” “Field of Dreams,” and “JFK,” Oliver Stone’s film with New Orleans connections to the assassination of President John F. Kennedy. Baldwin and Costner did not interact before the proceedings started. Baldwin told The Associated Press his attorneys had advised him not to comment. Baldwin and his friend, Spyridon Contogouris, said they didn’t know about the deal when they agreed to sell their shares of Ocean Therapy Solutions, a company that marketed the centrifuges to BP, for $1.4 million and $500,000, respectively. (At left, watch Costner testify to Congress about the machine in 2010) Baldwin and Contogouris claim they were deliberately excluded from a June 8 meeting between Costner, his business partner Patrick Smith and BP executive Doug Suttles, who agreed to make an $18 million deposit on a $52 million order for the 32 devices, according to the lawsuit. Later that month, Costner and Suttles visited Port Fourchon, La., to talk about the plan to use the centrifuges. “It was designed to give us a fighting chance, to fight back the oil before it got us by the throat,” Costner said at the time. Baldwin and Contogouris say they were entitled to shares of BP’s deposit. Their lawsuit claims Costner and Smith schemed to use BP’s deposit buy their shares in Ocean Therapy Solutions. “Maybe one of the directions that Mr. Costner might go as a defendant in this case is that he had taken a great deal of risk as it relates to these machines,” legal analyst Chick Foret told WWL-TV. Costner said he didn’t attend a June 6, 2010, meeting at which Contogouris agreed to sell his OTS interests. “Not only did Costner not know that Plaintiffs were negotiating to sell their OTS interests, he was surprised and offended by the idea that Contogouris and Baldwin would walk away from OTS with almost $2 million in cash despite having invested no money in the company, and at a time when a contract with BP was uncertain to materialize,” says a court filing summarizing Costner’s version of events. Baldwin and Contogouris are seeking more than $21 million in damages. Costner and other defendants also are seeking damages in counterclaims.

No Comments on Special Section: Gulf Coast Oil DisasterStephen Baldwin suing Kevin Costner over BP dealKevin Costner pitches $895M oil spill plan Feldman asked the potential jurors whether the entertainers’ on-screen portrayals compromised the ability to deliver an objective verdict. No one in the pool said they would feel influenced. Among Baldwin’s roles was caveman Barney Rubble in “The Flintstones: Viva Rock Vegas.” Costner’s films include “Dancing with Wolves,” “Field of Dreams,” and “JFK,” Oliver Stone’s film with New Orleans connections to the assassination of President John F. Kennedy. Baldwin and Costner did not interact before the proceedings started. Baldwin told The Associated Press his attorneys had advised him not to comment. Baldwin and his friend, Spyridon Contogouris, said they didn’t know about the deal when they agreed to sell their shares of Ocean Therapy Solutions, a company that marketed the centrifuges to BP, for $1.4 million and $500,000, respectively. (At left, watch Costner testify to Congress about the machine in 2010) Baldwin and Contogouris claim they were deliberately excluded from a June 8 meeting between Costner, his business partner Patrick Smith and BP executive Doug Suttles, who agreed to make an $18 million deposit on a $52 million order for the 32 devices, according to the lawsuit. Later that month, Costner and Suttles visited Port Fourchon, La., to talk about the plan to use the centrifuges. “It was designed to give us a fighting chance, to fight back the oil before it got us by the throat,” Costner said at the time. Baldwin and Contogouris say they were entitled to shares of BP’s deposit. Their lawsuit claims Costner and Smith schemed to use BP’s deposit buy their shares in Ocean Therapy Solutions. “Maybe one of the directions that Mr. Costner might go as a defendant in this case is that he had taken a great deal of risk as it relates to these machines,” legal analyst Chick Foret told WWL-TV. Costner said he didn’t attend a June 6, 2010, meeting at which Contogouris agreed to sell his OTS interests. “Not only did Costner not know that Plaintiffs were negotiating to sell their OTS interests, he was surprised and offended by the idea that Contogouris and Baldwin would walk away from OTS with almost $2 million in cash despite having invested no money in the company, and at a time when a contract with BP was uncertain to materialize,” says a court filing summarizing Costner’s version of events. Baldwin and Contogouris are seeking more than $21 million in damages. Costner and other defendants also are seeking damages in counterclaims.

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But where they’re playing is what’s unexpected: the Smithsonian American Art Museum. “You could say video games are a great grassroots expression of culture and in some cases art in our democracy,” said museum director Betsy Broun. “I guess what surprised me was just the sort of joyful excitement in the games.” Broun said the video game exhibit – the first ever at a major American museum – has caused so much excitement it will travel to 10 other cities, illustrating a growing understanding of the public fascination with games. “One time a single game was offered for sale and sold six million copies in one day; you know. that’s more people than go to the Met in a year,” Broun said. “So when you begin to understand how pervasive it is, I guess the bigger question is, why did we wait so long?” Indeed, when you look at some of the images from games, they can resemble moving paintings, from abstract to figurative to landscapes. There’s one reminiscent of Japanese woodcuts, and another that’s been compared to an M.C. Escher work. But fans say it’s not just how video games look that makes them works of art; it’s also how they engage the imagination and stimulate players to think about what moves to make. “Because they can help us find connections with deeper questions that we may have inside of ourselves,” said long-time game developer Chris Melissinos, who curated the show. “You’re presented with a series of obstacles, and so it’s how you quickly make those choices that discern the best outcome for anybody playing.” The exhibit begins with 1970s and ’80s action adventure games like Pitfall, Combat, Space Invaders. And surely you remember Pac-Man from 1981, in which a yellow dot tries to evade or be eaten by ghosts. It was an international sensation. “I’m a fan of this game,” said museum-goer Rita, “but I’ll tell you something: When I was playing it I never thought that I was engaged in art!” But Melissinos says the artistry was in Pac-Man’s becoming one of the first games to appeal to women, who now represent 40 percent of gamers. Released just a few years later, in 1985, Super Mario Brothers introduced a much more complex world, and a video hero, as players manipulated Mario to find and rescue a princess. “There were many studies that showed that he was more popular as a character in the minds of young Americans than even Santa Claus,” said Melissinos. The Super Mario series evolved over the years, with more complex graphics and scenarios. And because technology is such an important factor in games, the exhibit showcases some of the playing devices used during four decades. But along with better technology comes better ways to do battle, which has sometimes led to controversy. When asked about criticism of violence in video games, museum director Betsy Broun replied, “Art reflects life. I think we live in a world where not including some of that would be unrealistic. But I really think you’ll find in the games that there is oftentimes a deeper message.” In fact, games like 2010’s Heavy Rain,” which explores the boundaries of parental love, do aim to touch our emotions. And if there’s one thing this exhibit illustrates, it’s that for video game creators the journey is just beginning: “We’re able to create worlds and environments that just don’t exist in the real world,” said Melissinos. “So we’re able to open our imagination, and it’s boundless, it’s limitless. And that is definitely part of the attraction.” For more info:
The game is available for free on Android smartphones, and an iPhone version is expected to be released soon, according to Smeets|”Will he get caught? Well, this is not like he can just click ‘again,’ like in this video game, and restart from the beginning|If he truly is caught by the American government, then he is in great, big problems.” Players must collect USB sticks and laptops containing “sensitive information” all while avoiding the long arm of the law, whom Smeets refers to as Agent Jake|”All the obstacles are away, and you’ll see special agents flying away and stuff like that,” Smeets told the AP|The National Security Agency leaker wanted by the U.S|Much like the real Snowden saga – for now – there is no end to the game, and it goes on infinitely|
Secretary Hagel fully supports the President’s goal of closing Guantanamo Bay and this upcoming transfer brings us closer towards reaching that goal.” Typically, the U.S .military does not release names of the released until they have arrived in the other country

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