Any polls or any awards show, anything that they have control of, they’re all about it.” More in Awards Season Luke Bryan pulled off the surprise of the night, taking male video of the year for “I Don’t Want This Night to End.” After beating out country’s top male stars, Bryan briefly covered his face with his hands, then pogo-jumped his way to the stage

(CBS/AP) Carrie Underwood scored her third video of the year honor at the CMT Awards Wednesday night in Nashville for the song “Good Girl.”

Underwood’s two wins – she also won for collaboration of the year for “Remind Me,” with Brad Paisley – mean she’s now won nine CMT belt buckles since 2006. She matched Taylor Swift’s run in the fan-voted video of the year category over the same period.

The former “American Idol” winner was the night’s only multiple winner, and her fans did it for her again.

“They’re the ones in control,” Underwood said. “I have a really active fan base. The people who come to my concerts and support me, they really get out and they do stuff. They vote. Any polls or any awards show, anything that they have control of, they’re all about it.”

More in Awards Season

Luke Bryan pulled off the surprise of the night, taking male video of the year for “I Don’t Want This Night to End.” After beating out country’s top male stars, Bryan briefly covered his face with his hands, then pogo-jumped his way to the stage.

“When you’re at this level of what we do as singers, and your fans vote, it speaks huge volumes and it’s crazy to be fan-voted for an award and win it,” Bryan said.

Bryan rewarded his fans by mimicking his actions when he won his first CMT award two years ago. Back then he tossed a jacket into the crowd. This time he went cheaper, asking Tom Arnold to pull a pair of camouflage boxers wedgie-style out of his pants and tossed them into the crowd.

“I threw my jacket off the stage and it was really expensive,” Bryan said. “I think it cost something like $4,000, and a lot of people were like, `Why did you that?”‘

It was far from the raciest moment of the night. Kellie Pickler pretended to motorboat an imaginary pair of breasts to introduce Little Big Town’s performance of “Pontoon,” complete with a full-sized pontoon boat and bikini-clad “swimmers” floating around the stage.

And co-host Kristen Bell made sure to spend a little quality time in the stands, sandwiching herself between Bryan and Jake Owen.

“I didn’t know I’d be sitting right in the middle of Hunksville, Tenn., population – two,” the actress joked.

Miranda Lambert won her third straight female video of the year award for the emotional “Over You,” a song she co-wrote with husband Blake Shelton about the untimely death of his brother. The win marked another emotional moment involving the song and its video, which was shot just weeks after Lambert lost her father-in-law, a close friend and her childhood pet. Video director Trey Fanjoy also lost her father just four days before the shoot.

“Behind the camera and in front of the camera, the whole video was just trying to hold it together,” Lambert said backstage.

Rising duo Thompson Square was nominated twice for duo video of the year and won for “I Got You.” Former “American Idol” winner Scotty McCreery took home breakthrough video of the year for “The Trouble with Girls” just hours before his high school graduation ceremony in Raleigh, N.C. Lady Antebellum won group video of the year for “We Owned the Night.”

Jason Aldean, a multiple nominee in the past, won his first belt buckle, taking home CMT performance of the year for “Tattoos on This Town.”

The night started with President Barack Obama and his likely Republican challenger Mitt Romney making an appearance in taped video segments.

Neither was willing to offend voters on either side of the aisle in a “dirty politics” debate over who should host the show, Bell or country star Toby Keith. “This is one of the toughest decisions I’ve had to make since I’ve been in office, but I decided I want them both,” Obama said. Romney then also suggested they work as co-hosts and added, “See, I just put two people back to work.”

With the decision made, Keith and Bell arrived at the stage in a huge replica of a red solo cup, in deference to Keith’s hit song.

The night was filled with several strong performances, but none got quite the reaction of Willie Nelson’s rare appearance to play his new song, “Roll Me Up.”

Keith, Jamey Johnson, Darius Rucker and Zac Brown Band joined him on stage to sing the ode to marijuana as a smoke machine rolled on high in the background.

In a couple of other notable mashups, 토토사이트 Paisley joined Hank Williams Jr. on a new outside stage to perform their collaboration “I’m Gonna Get Drunk and Play Hank Williams” and Journey joined Rascal Flatts on “Banjo” and “Don’t Stop Believin”‘ to close the show.

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And scare my wife when I’m not home,
Whether it was a world-renowned beauty like Cindy Crawford . . . “What I always say is the way Herb photographed you is the way that you wished you looked when you got up in the morning,” Crawford said . . . . . . or singer-songwriter k.d. lang . . . “I think Herb had a way of understanding how to exude the beauty within,” lang said. “I really do. He knew the balance of the soul and the body, and where the beauty was.” “I presume there got to be a point where people really wanted him to take their picture?” asked Braver. “Oh, absolutely,” said Charles Churchward, a former design director at Conde Nast. “You know, everybody wanted him to take their picture!” Ritts’ friend Churchward thought it was time for a book that celebrated the man as well as the work. “I think people want to know more about who’s behind the camera and something about them,” Churchward said. “And I think that’s what makes them last. And that’s why I wrote the book.” Churchward said that Ritts, who grew up in L.A., introduced a new kind of glamour photography. “Herb had been raised with light, with the beaches, with the sun,” he said. “Everybody before that was in the studio shooting and controlling everything. Suddenly he was able to take the same things outside and make people more natural and yet still have that glamour.” Ritts’ photo of his pal Richard Gere – snapped while the two of them were waiting for a tire to be changed – helped launch both their careers in 1978. Ritts once told CBS News, “Three months later, Vogue, Esquire, Mademoiselle had run all the images from the gas station that I’d taken, which was kind of interesting. And I got paid for it.” Soon, he was getting photographing everyone, from Tom Cruise to Julia Roberts . . . hanging out at Vanity Fair’s Oscar party . . . and hosting his own celebrity-studded birthday bashes. In fact Cindy Crawford and Richard Gere (who were married for 4 years) met at one of Herb’s parties. She said Ritts was just fun to be around: “I mean, he was a mensch,” Crawford said. “I don’t know if you know that word. But he’s just a good guy. He was a total sweetheart. He loved people.” She still remembers the shoot for one of his most famous pictures . . . a bevy of supermodels. “The girls, we were jokingly [calling] it ‘Naked Twister,'” Crawford said. “And I think Herb knew all of us individually, and was friendly with all of us, and that there was a comraderie.” Another Ritts pal talked him into branching out. “Madonna suggested to Herb that he photograph one of her videos,” said Churchward, “and he never did anything like that. But he was game to try anything.” They made her “Cherish” video, and he shot “In the Closet” for Michael Jackson. But it’s his photographs that will be remembered most . . . on display recently at L.A.’s Fahey/Klein Gallery, where an overflow crowd gathered to remember their old friend, and his world.

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